BAR module 27th February – 3rd March

With Inés Katzenstein (AR), Dorothée Dupuis (FR), Gelen Jeleton (SP) and Antoni Hervàs (SP)
The city of Barcelona, Fabra i Coats Fábrica de Creación & Tàpies Foundation

“Curatorship before the curatorship in Argentina. Institutionalism and politics, professionalism and marginality, taste and concept”, workshop by Inés Katzenstein (Instituto Di Tella, Buenos Aires)
A narrative about three capital cultural agents in Buenos Aires, from 1960 to 1995: Jorge Romero Brest (from the Di Tella Institute), Oscar Masotta (intervening critically in the artistic scene), and Jorge Gumier Maier (from the Rojas Center).
Founding Director of the Art Department at Torcuato Di Tella University, she received a Master’s degree from the Center for Curatorial Studies, Bard College, New York (2001). Among other books, he edited Listen, Here, Now! Argentine Art of the Sixties: Writings of the Avant-Garde, The Museum of Modern Art, New York, 2004. He is part of the Advisory Board of the magazine Otra Parte de Artes y Letras, and of the Advisory Council of Museo Malba.

“Curating from my uterus”, lecture by Dorothée Dupuis (Terremoto magazine, Mexico)
Through examples taken from my own curatorial practice and a few others, and relying on theoretical concepts such as the notion of womb-envy by Gayatri Spivak, Walter Mignolo’s frontier thinking, or the post-human of Rosi Braidotti, I will try to prove that feminism is not reduced to an outmoded political dogmatism, it is a broad philosophy that goes further than the question of gender: a prism by which we can observe the world and understand clearly the relations of power and oppression that surrounds it.
Dorothée Dupuis (1980, Paris) is an independent curator, writer and editor based in Mexico City. She was director of Triangle France (Marseille, 2007-2012). Is founder and editor of Terremoto and co-director of Petunia magazine.Her recent curatorial projects include a residency at PAOS Gdl, Guadalajara, Adrien Vescovi at IFAL Casa de Francia, Mexico DF, and the 30 International Art Workshops at the FRAC Pays de la Loire, Nantes, France. She has written in numerous catalogs and art publications and is a regular contributor to Spike Art Daily, Metropolis M, Mousse, Kaleidoscope, ArtReview, Flash Art and Frieze, among others.

“Bibliographic resistance”, workshop by Gelen Jeleton (Equipo Jeleton)
One of the pillars of the Academy is based on the transmission of knowledge, and one of the ways to do so is sharing quotes, which requires a repetition of the same, but it is also the job of the female researcher to introduce new ones. I choose to take this quotes, footnotes and bibliography to one’s reality, to verify what we can use and how we’ve been influenced by reiterating this quotes for generations, contextualizing them and when possible, re-updating them, with the intention of decolonize the quotes, footnotes and bibliographies to build and embodied theory.
Gelen Jeleton (Murcia, 1975) develops her artistic practice with Jesús Arpal Moya in Equipo Jeleton since 1999.

“My studio visit.The city as studio” by artist Antoni Hervàs (SP)
My studio visit.The city as studio is a format in which a local practitioner is commissioned to give a visit in a particular location/place/venue of Barcelona linked to his/her work, in order to speak about his/her own practice through the city and out of the common working studio space.