Thursday January 21, 06:30pm
\nFundaci\u00f3 Antoni T\u00e0pies*, Barcelona<\/p>\n
Visiting curators Emanuele Guidi<\/strong> (artistic director ar\/ge kunst, Bolzano), Robert Leckie<\/strong> (exhibition curator at Gasworks, London) and Lorenzo Sandoval<\/strong> (independent curator) will talk about their curatorial practice and on-going projects.<\/p>\n Emanuele Guidi<\/strong> (1978) is an independent curator and, since July 2013, the artistic director at the kunstverein ar\/ge kunst (Bolzano, Italy). Previous projects include a.o.: How to Tell a Story (DEPO, Istanbul 2013, with C. Larqu\u00e9); Between Form and Movements (Galleria E. Astuni, Bologna, 2012); Rehearsing Collectivity \u2013 Choreography Beyond Dance (Tanzfabrik, Berlin, 2011, with E. Basteri, E. Ricci and A. Giannotti); Collective Body (Liquid Loft, Vienna, 2010, curated with A. Giannotti). Among his edited publications: Negus, Invernomuto, Humboldt Books, Milan, 2014; Rehearsing Collectivity,Argobooks, Berlin, 2012(with E. Basteri, E. Ricci); Between Form and Movements, Bologna, 2012; Urban Makers, Parallel Narratives of Grassroots Practices and Tensions, bbooks, Berlin, 2008.<\/p>\n Robert Leckie<\/strong> is currently exhibitions curator at Gasworks. He studied Performance and Visual Arts at the University of Brighton and Curating Contemporary Art at the Royal College of Art, London. He has recently (co-) curated the following exhibitions and events: Human Capital at Virreina Centre de la Imatge, Barcelona (2012), Eric Baudelaire’s solo exhibition The Anabasis of May and Fusako Shigenobu and 27 Years Without Images (2012) and All I Can See is the Management (2011), both at Gasworks.<\/p>\n Lorenzo Sandoval<\/strong> (Madrid, 1980) works in the crossing points of artistic practice, curatorial processes and spatial design. He holds a B.F.A and a Masters in Photography, Art and Technology from the UPV (Valencia, Spain). Sandoval has attended international residencies in Berlin, Portugal and Kenia. He was production manager of the EACC (Castell\u00f3n, Spain). Within Transeuropa Festival, Sandoval organized the project \u2018Visualizing Transnationalism\u2019 together with Emanuele Guidi. Sandoval has won several curatorial prizes such as: In\u00e9ditos, with \u2018Around Is Impossible. An Exploration Of The Unexpected In the Cartographical Systems Of Goggle\u2019, in La Casa Encendida (2011), The Can Felipa Curatorial price with \u2018(\u2026) Science, Territory and Subjective Narratives\u2018 and Curatorial open call 2012 with \u2018Case Report\u2018 in Nogueras Blanchard. He has curated \u2018The Rescue of the Effects, Notes For a Theory of The Reader\u2018 at General Public (2012); \u2018Field Studies\u2018 (2012), \u2018Osmosis\u2018, together with Gabriela Acha, ClubTransmediale Vorspeil and \u2018Disruptive Patterns. Plans, Plots and Movements\u2018at Altes Finanzamt. He has participated in shows such as at \u2018\u2018 at Instituto Cervantes (2012), \u2018Say it Loud. On Words and Actions\u2018 at District (2012) and \u2018Handlungsbereitschaft\u2018, Motorenhalle, Dresden, (2013). He presented the project \u2018Office Party. Multidimensional Spectrum of Voices\u2018 at Rosa Santos Gallery (Valencia) and Kinderhook&Caracas (Berlin). In collaboration with Susanne Husse, he has developed \u2018dissident desire\u2018 at District (Berlin). \u2018Mutant Matters\u2019, produced together with S.T.I.F.F., was commissioned by Savvy Contemporary (Berlin) and presented at ar\/ge Kunst (Bolzano). With Emanuele Guidi, Sandoval is developing the project \u2018Spaces of Anticipation\u2018. His most recent project is The Institute for Endotic Research, a fictional institution with an operative program.<\/p>\n Emanuele Guidi<\/a> Thursday January 21, 06:30pm Fundaci\u00f3 Antoni T\u00e0pies*, Barcelona Visiting curators Emanuele Guidi (artistic director ar\/ge kunst, Bolzano), Robert Leckie (exhibition curator at Gasworks, London) and Lorenzo Sandoval (independent curator) will…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27,235],"tags":[],"class_list":["post-2752","post","type-post","status-publish","format-standard","hentry","category-27","category-bar-residency"],"_links":{"self":[{"href":"https:\/\/barproject.net\/index.php?rest_route=\/wp\/v2\/posts\/2752","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/barproject.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/barproject.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/barproject.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/barproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2752"}],"version-history":[{"count":0,"href":"https:\/\/barproject.net\/index.php?rest_route=\/wp\/v2\/posts\/2752\/revisions"}],"wp:attachment":[{"href":"https:\/\/barproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2752"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/barproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2752"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/barproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2752"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nRobert Leckie<\/a>
\nLorenzo Sandoval<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"