Jueves 21 Enero, 18:30hs
\nFundaci\u00f3 Antoni T\u00e0pies*, Barcelona<\/p>\n
Los comisarios\u00a0 Emanuele Guidi<\/strong> (director art\u00edstico de ar\/ge kunst, Bolzano), Robert Leckie<\/strong> (comisario de exposiciones Gasworks, Londres) y Lorenzo Sandoval<\/strong> (comisario independiente) nos hablar\u00e1n de su trabajo curatorial y sus proyectos recientes y en marcha.<\/p>\n Emanuele Guidi<\/strong> (1978) es comisario independiente y, desde 2013, director art\u00edstico de ar\/ge kunst (Bolzano, Italy). Proyectos previos son: How to Tell a Story<\/em> (DEPO, Istanbul 2013, with C. Larqu\u00e9); Between Form and Movements<\/em> (Galleria E. Astuni, Bologna, 2012); Rehearsing Collectivity \u2013 Choreography Beyond Dance<\/em> (Tanzfabrik, Berlin, 2011, with E. Basteri, E. Ricci and A. Giannotti); Collective Body<\/em> (Liquid Loft, Vienna, 2010, curated with A. Giannotti). Among his edited publications: Negus, Invernomuto<\/em>, Humboldt Books, Milan, 2014; Rehearsing Collectivity<\/em>, Argobooks, Berlin, 2012 (with E. Basteri, E. Ricci); Between Form and Movements<\/em>, Bologna, 2012; Urban Makers, Parallel Narratives of Grassroots Practices and Tensions, bbooks, Berlin, 2008.<\/p>\n Robert Leckie<\/strong> es actualmente comisario de exposiciones en Gasworks, Londres. Estudi\u00f3 Performance and Visual Arts en la University of Brighton y Comisariar Arte Contempor\u00e1neo en el Royal College of Art, London. Reciengtemente ha co-comisariado: Human Capital<\/em> at Virreina Centre de la Imatge, Barcelona (2012),\u00a0 The Anabasis of May and Fusako Shigenobu<\/em> and 27 Years Without Images<\/em> (2012) and All I Can See is the Management<\/em> (2011), both at Gasworks.<\/p>\n Lorenzo Sandoval<\/strong> (Madrid, 1980) vive y trabaja en Berl\u00edn. Su trabajo transita entre la pr\u00e1ctica art\u00edstica, procesos curatoriales y dise\u00f1o espacial. Ha disfrutado de residencias en Berlin, (GlogauAIR), Portugal (Vila Nova) and in Nairobi, (Kuona Trust Studio). Fue encargado de producci\u00f3n en EACC, (Espai d’Art Contemporani de Castell\u00f3) y es uno de los miembros fundadores de Altes Finanzamt en. Ha comisariado Visualizing Transnationalism con Emanuele Guidi. Ha ganado varios premios de comisariado como In\u00e9ditos, con \u00b4Around is impossible\u00b4, en La Casa Encendida (2011),\u00a0 el premio de comisariado de Can Felipa con\u00a0 \u00b4(\u2026) Science, Territory and Subjective Narratives\u00b4 y el Curatorial open call 2012 con \u00b4Case Report\u00b4 en Nogueras Blanchard. Ha comisariado exposiciones como \u00b4The Rescue of the Effects, Notes for a Theory of the Reader\u00b4 en General Public (2012); \u00b4Field Studies\u00b4, Altes Finanzamt (2012), \u00b4Osmosis\u00b4, con\u00a0 Gabriela Acha, ClubTransmediale Vorspeil y \u00b4Disruptive Patterns\u00b4 en Atles Finanzamt para Preis f\u00fcr Projektr\u00e4ume und -Initiativen (2013) . Recientemente ha desarrollado con Susanne Husse la plataforma de investigaci\u00f3n \u00b4dissident desire\u00b4 en District (Berlin), y est\u00e1 trabajando en\u00a0 \u00b4Mutant Matters\u00b4, un proyecto comisionado por Savvy Contemporary (Berlin)\u00a0 y presentado tambi\u00e9n en Ar \/ Ge Kunst (Bolzano).<\/p>\n Emanuele Guidi<\/a> Jueves 21 Enero, 18:30hs Fundaci\u00f3 Antoni T\u00e0pies*, Barcelona Los comisarios\u00a0 Emanuele Guidi (director art\u00edstico de ar\/ge kunst, Bolzano), Robert Leckie (comisario de exposiciones Gasworks, Londres) y Lorenzo Sandoval (comisario independiente)…<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[130,238],"tags":[],"class_list":["post-9750","post","type-post","status-publish","format-standard","hentry","category-2016-es","category-bar-residencias"],"_links":{"self":[{"href":"https:\/\/barproject.net\/index.php?rest_route=\/wp\/v2\/posts\/9750","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/barproject.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/barproject.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/barproject.net\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/barproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9750"}],"version-history":[{"count":0,"href":"https:\/\/barproject.net\/index.php?rest_route=\/wp\/v2\/posts\/9750\/revisions"}],"wp:attachment":[{"href":"https:\/\/barproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9750"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/barproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9750"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/barproject.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9750"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nRobert Leckie<\/a>
\nLorenzo Sandoval<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"