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    David Ortiz Juan, Los hechos son hechos (The facts are fabricated), 2015

    A traveller presents the landscape as an entity capable of revealing invisible systems of power alongside its connection to the human body’s capacity to embody their ancestors’ memories. With this departure, the film reflects upon the relation between memory and memorials, their silences and inabilities to overcome trauma; the alienation of the unifying grand narratives, and the overcoming of absurdity by its acceptance. Shot in the Spanish island of Mallorca, “Los hechos son hechos” explores alternative narratives and imageries to revive the silenced histories of those disappeared by political repression during Franco’s dictatorship in Spain.

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